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Download 2008 Conference Registration


The 46th Annual CCWC Summer Conference

was held Sunday, August 17 - Friday, August 22, 2008

Craigville Conference Center - Cape Cod, Massachusett
s.


The 46th Annual CCWC Conferencc (August 17 to 22, 2008) offered eight weeklong workshops on poetry, short story writing, fiction for children, screenwriting, biography, romance, mystery, and memoir.

There was a stellar panel of publishing professionals in a five-hour Master Class on publishing with David R. Godine representing the publisher. This Master Class included a mock editorial board meeting, and discussions on every aspect of relevance to a writer on seeing a book from manuscript through production.

There was also a three-hour seminar on Demystifying the Small Literary Press. Other short courses were Column Writing, Writers Reading Their Writing in Public, Books to Film, and Savvy Book Publicity.

:

Also new this summer: complimentary Daily Briefings for conference registrants, led by faculty and guests. (BYOB: Lunch not included; Bring Your Own Box or Buy Your Own Bag of lunch at Craigville Inn, for $9, to bring to the Tabernacle for these 45-minute discussions on writing and publishing.) For a sampling, see Jo Ann Ferguson's plans for her briefing at the bottom of the schedule below. Charles Coe, a children's author, columnist Suzette Standring, and guest author Nancy Rubin Stuart conducted the other Daily Briefings.

Conference registrants were also invited to attend the faculty reception Sunday at the Wianno Club (Cost, $32, was not included).

THE BIG NEWS!

Our conference speaker for Monday evening, August 18 was Newsweek's contributing editor, ELEANOR CLIFT, who spoke on her new (creative non-fiction) book, Two Weeks of Life: A Memoir of Love, Death and Politics.

And our Tuesday evening, August 19 speaker was DAVID R. GODINE, founder/owner of David R. Godine, Publisher. David also represented the publisher on the Master Class panel on publishing, Wednesday, August 20.




WHEN:
                                    At 7 PM                 IN THE TABERNACLE



MONDAY

EVENING,

AUGUST 18,

7 PM

 

TUESDAY EVENING, AUGUST 19,

7 PM

 

 

Monday Evening Speaker:
Eleanor Clift, contributing editor, Newsweek, member of the McLaughlin Group, and author of
Two Weeks of Life: A Memoir of Love, Death, and Politics

 

Tuesday Evening Speaker:
David R. Godine, founder of David R. Godine, Publisher









Wednesday, 2:30 - 8:30

 Tabernacle



PART 1
2:30 - 5:30

Optional dinner with panel

PART II
6:00 - 8:30

PUBLISHING FROM A PUBLISHER'S POINT OF VIEW, AND THE ROLE OF THE AUTHOR

Enter the inner world of publishing in this thorough look at the business end of writing books. Our Master Class panel covers all the publishing functions relevant to writers-- from finding an agent to navigating a contract to what happens after a publisher buys your book, including time frames and what to expect from the editing process, publicity, marketing, and sales.

This class includes a mock editorial meeting.

COST: $125
(plus optional dinner)

Master Class Publishing Panel:

Sue Berger Ramin- David R. Godine, Publisher
Lissa Warren - De Capo Press
Frances Whistler - Editorial Institute of Boston University
Elizabeth Merritt, Book Buyer, Titcomb Books
David R. Godine - Founder, David R. Godine, Publisher

Adam Chromy - Founder, Artists and Artisans, Inc. Literary Agency            

 
 





SUE BERGER RAMIN

MASTER CLASS: PUBLISHING FROM A PUBLISHER'S POINT OF VIEW, AND THE ROLE OF THE AUTHOR


Sue Berger Ramin works for David R. Godine, Publisher in an editorial, marketing and rights capacity. She acquires both adult and children's, fiction and non-fiction books, oversees their marketing and publicity and sells subsidiary rights. She was VP Film & TV Publishing for Penguin Books for 11 years, opening an office for Penguin in Los Angeles in 1993. Prior to that she worked in general trade publishing in the UK. Sue has served as co-producer for two movies: The Gathering Storm (HBO, BBC, 2003), an award-winning movie starring Albert Finney and Vanessa Redgrave, and The Missing, based on the novel, The Last Ride, by Thomas Eidson (Sony Pictures, 2003), starring Cate Blanchett and Tommy Lee Jones. She wrote a column on film and TV rights for Publishers Weekly, scouted for a Japanese literary agency, sold rights in video games, and has taught publishing in Emerson's Professional Studies' Program.



FRANCES WHISTLER

MASTER CLASS: PUBLISHING FROM A PUBLISHER'S POINT OF VIEW, AND THE ROLE OF THE AUTHOR



Frances Whistler
Frances Whistler says that she entered her first job – as a trainee copy-editor in Oxford University Press, UK – wondering what editors really did, given that authors (surely?) sent in finished typescripts, and the Production people were obviously in charge of actually making the books. What could be the editor’s role? Twenty-some years later she left Oxford (an older and wiser woman, she says) for a job at Boston University as Assistant Director of the Editorial Institute. There she’s helping prepare an academic edition of a nineteenth-century British writer, J. F. Stephen, and teaching editing skills to undergraduates and Masters students.







LISSA WARREN

MASTER CLASS: PUBLISHING FROM A PUBLISHER'S POINT OF VIEW, AND THE ROLE OF THE AUTHOR


Lissa Warren

Lissa Warren has worked at several Boston publishing houses including David R. Godine, Houghton Mifflin, and Perseus Publishing, and is currently Vice President, Senior Director of Publicity and Acquiring Editor at Da Capo Press, a member of the Perseus Books Group. The author of The Savvy Author's Guide to Book Publicity (Carroll & Graf, 2004), she has spoken about publishing for the Virginia Festival of the Book, Lesley University, Publishers Marketing Association, the American Society of Journalists and Authors, Publishers Association of the South, BookBuilders of Boston, ForeWord magazine, Grub Street, the New Hampshire Writers’ Project, and the Adirondack Writer’s Conference, among others. Since 2003 she has been an Adjunct Professor at Emerson College—in their Writing, Literature, and Publishing program—and she teaches in Boston University's publishing certificate program. She’s also on the advisory council of the M.F.A. writing program at Southern New Hampshire University.

 



ELIZABETH MERRITT, BOOK BUYER, TITCOMB'S BOOKS

MASTER CLASS: PUBLISHING FROM A PUBLISHER'S POINT OF VIEW, AND THE ROLE OF THE AUTHOR

   
   

Elizabeth Merritt, book buyer for Titcomb Books, has many years of book buying and selling experience. She meets with publishing representatives each year, ordering from hundreds of catalogs. Many facets of book procurement are explored at Titcomb's, including used and rare books. Elizabeth's broad experience as a buyer, marketer, and seller allows her to be a valuable resource as to what is happening on the front lines of book selling. Among other topics she will discuss decisions to carry other products besides books in the store, as well as author book signings.

 

 




WHEN
TABERNACLE
MANOR
LODGE SUNROOM
8:30 - 10:00
Memoir
Suzanne Strempek Shea
Mystery
Chris Knopf
Fiction for Children
Sara Pennypacker
10:10 -11:40
Screenwriting
Diane Lake
Short Story Writing
Geraldine Mills

Biography (previously called Historical Biography)

Susan Nagel

11:45 -12:40

Daily Box Lunch Briefings with Faculty and Guests in Tabernacle

(for conference registrants only. Samples of these 45-minute briefing at bottom of this Conference Schedule page)

12:45 - 2:15
Writing the Romance
Jo Ann Ferguson


Poetry
Daniel Tobin


SARA PENNYPACKER - FICTION FOR CHILDREN

MONDAY, AUGUST 18 - FRIDAY, AUGUST 22

8:30 - 10:00


Sara Pennypacker

COURSE DETAILS:
Today, more than ever, your chance of having a manuscript accepted depends on a compelling and polished first sentence, paragraph, and page. In this workshop, we will explore many aspects of writing for children – voice, dialogue, theme, plot, character development, point of view, and publishing – from picture books through mid-grade novels, paying special attention to the high-powered lens that is the beginning of the story. Writing is writing, but writing for children demands special skills and considerations: through discussions, readings and (only one or two! very short!) in-class exercises, we will figure out what works and what doesn’t in children’s books. Please bring the first few pages of a manuscript if you have one; on the final day, each participant will be able to present their beginning for group workshopping.

BIO:
Sara Pennypacker is the New York Times best-selling author of eight children's books, including Clementine, The Talented Clementine, Clementine's Letter, Stuart's Cape, Stuart Goes to School, Pierre In Love and the upcoming Sparrow Girl. Beginning next year, she will take over the
Flat Stanley series. Her books have won numerous awards, including this year’s Golden Kite Award for Best Picture Book Text, and have appeared on many 'Best Books' lists.



SUZANNE STREMPEK SHEA - MEMOIR
MONDAY, AUGUST 18 - FRIDAY, AUGUST 22

8:30 - 10:00

SUZANNE STREMPEK SHEA WILL TEACH MEMOIR IN LIEU OF ANYA ACHTENBERG, WHO HAD A SCHEDULING CONFLICT THIS SUMMER. WE REVERSED PLANS TO FEATURE SUZANNE NEXT YEAR AND ANYA THIS YEAR.


COURSE DETAILS:

Suzanne says, "If you are dipping a toe into the memoir sea, you may begin by studying, dissecting, and critiquing this most personal genre in a weeklong workshop. Writing assignments, readings, handouts, and lectures will hone skills and start you on your way toward essay or manuscript telling the story of your life as a birdwatcher, the year you were the first girl to enroll in an all-boy's school, or the week you were abducted by aliens."



BIO:

The author of five novels, Suzanne Strempek Shea won the 2000 New England Book Award for fiction. She has also written three memoirs, Songs from a Lead-lined Room: Notes- High and Low- from My Journey through Breast Cancer and Radiation; Shelf Life: Romance, Mystery, Drama, and Other Page-Turning Adventures from a Year in a Bookstore; and the newly-released Sundays in America: a Yearlong Road Trip in Search of Christian Faith. A former reporter and an avid freelancer, she lives in Bondsville, Massachusetts.



CHRIS KNOPF - MYSTERY WRITING

MONDAY, AUGUST 18 - FRIDAY, AUGUST 22

8:30 - 10:00


Chris Knopf

COURSE DETAILS:
This course will explore the distinctive character of the mystery genre – with its sub-genres, such as the police procedural, cozies, hardboiled, noir and thrillers – as a context in which artful writers apply their craft. The object of the course will be to help every student move closer to their individual goals. Thus, there will be a strong emphasis on the pragmatic and realistic. This includes improving writing skills, gaining a better understanding of what constitutes a successful work, the importance and interaction of all narrative elements – plot, characters, POV, setting, mood, dialogue – and productive work habits. We will examine a few paragons of the form, and through discussion, attempt to understand what qualities led to that distinction. Students will have a daily writing exercise, which will be discussed in class on a voluntary basis. There will also be a look into the world of mystery publishing and how a work moves from first draft through editorial and into print, and into the marketing machine.

BIO:
About Chris Knopf’s Sam Acquillo mysteries: The New York Times said, “The spare, emotionally eloquent style of The Last Refuge gives shapely form to the story.” Publishers Weekly chose Two Time as a “Best 100 Books for 2006,” and its starred review called Head Hounds “exceptional.” Knopf has been a copywriter for 30 years. He has an MA in Creative Writing and speaks before both marketing and mystery writer audiences




GERALDINE MILLS - THE SHORT STORY: ITS BREVITY AND BRAVURA

MONDAY, AUGUST 18 - FRIDAY, AUGUST 22

10:10 - 11:40


Geraldine Mills

COURSE DETAILS

What is a short story? What makes it breathe?  What makes it different from mere anecdote or the novel?  Geraldine Mills will address the basic difficulties faced by both beginners and more experienced writers in the craft of short fiction. It will explore what is needed to go beyond the first easy thought in order to turn a moment into an event.  It will discuss how once started, where you get the courage to keep going.  Classes will include the basic building blocks of writing a successful piece of short fiction, full of skill and daring, to include: How to draw the reader in. Whose story is it anyway?  Developing an eye for detail and an ear for dialogue.  Breathing life into your characters. Who chooses the ending? Using various prompts to liberate creativity, each session will include an in-class exercise, review of work and examples of the masters in the genre of the short story from America and Ireland.

BIO:

Award-winning Irish poet and short story writer Geraldine Mills has published two collections of poetry, ‘Unearthing your Own’ and ‘Toil the Dark Harvest’ and two short story collections called ‘Lick of the Lizard’ and ‘The Weight of Feathers’ (2007). Her monologue ‘This is From the Woman who Does’ premiered at the Provincetown Theatre in 2004. She was the Millennium winner of the Hennessy/Tribune New Irish Writer Award, and was recently awarded a Kavanagh Fellowship.

 

 




DIANE LAKE - SCREENWRITING

MONDAY, AUGUST 18 - FRIDAY, AUGUST 22

10:10 - 11:40


Diane Lake
COURSE DETAILS:
The course will cover the basic elements of writing a screenplay—coming up with a good idea, creating memorable characters, putting together an outline/treatment, and writing good dialogue. In addition, participants will have the chance to pitch ideas, write scenes and participate in group writing activities. Of particular attention in the course will be how to write the first 10 pages of a script—as those are absolutely the 10 most important pages in any script. Also covered in the course will be the business of screenwriting—how to get your work seen, how to find an agent, as well as what the writer’s role is during development, pre-production and production.

BIO:
Diane, a working screenwriter since 1993, has been commissioned to write films for Columbia, Disney, Miramax, Paramount and NBC. Diane's film, Frida, opened the Venice Film Festival in 2002, was named one of the 10 Best Films of 2002 by numerous top 10 lists, including the National Board of Review and the American Film Institute. Frida was also nominated for 6 Academy Awards in 2003. Diane is also a screenwriting professor at Emerson College.

Read more about Diane Lake at DianeLake.com


SUSAN NAGEL - BIOGRAPHY (previously called Historical Biography)

MONDAY, AUGUST 18 - FRIDAY, AUGUST 22

10:10 - 11:40




Susan Nagel
COURSE DETAILS:
Susan Nagel explains why we have renamed this class: “Every biography is historical. The biographer acts as a fisherman and an editor: what will be caught and what will escape? What will be discarded? What is the biographer’s agenda? How have these decisions changed with time? We will look at primary, secondary, and tertiary sources and uncover the hidden agendas behind those writings to create a “psychograph” of your intended subject while at the same time placing him/her in his/her proper cultural, political, and sociological environment. We will establish a working methodology, and discuss varying narrative structures and tone. Students are urged to come prepared to discuss a subject they might consider writing a biography about and are advised to do their marketing research ahead of time to ensure that their hero or heroine has not been too often written about and/or recently studied. An essential criterion in getting published is to make sure that you have something new to say.”


BIO:
Susan Nagel is the author of the bestselling books "Marie-Therese, Child of Terror: The Fate of Marie Antoinette's Daughter" (Bloomsbury, 2008) and "Mistress of the Elgin Marbles: A Biography of Mary Nisbet, Countess of Elgin" (HarperCollins, 2004). She is also the author of a critically acclaimed book on the novels of Jean Giraudoux. Dr. Nagel is a professor in the humanities department of Marymount Manhattan College and has written for the stage, screen, scholarly journals, Town & Country magazine and Gannett newspapers.


JO ANN FERGUSON - HOW TO WRITE THE ROMANCE

MONDAY, AUGUST 18 - FRIDAY, AUGUST 22

12:45 - 2:45


Jo Ann Ferguson

COURSE DETAILS:
Did you know that more than 50% of all paperback books sold are romance novels? That sales in this genre are over $1.2 billion annually? To provide the books that readers are looking for, publishers are open to first time authors with wonderful, professionally written stories. In this course, we’ll discuss what makes a romance novel unique and the ingredients you need to write one and have it published. We’ll be having discussion and in-class exercises. So bring your imaginations and learn how to write the “book of your heart” which will touch someone else’s. Students should have read Kindred Spirits by Jocelyn Kelley (Signet Eclipse ISBN: 978-0-451-22344-9) for the session on synopses. Please bring paper and the writing instrument of your choice. You may also bring a laptop for writing exercises. A sense of humor is always welcome, too.

BIO:
Award-winning author Jo Ann Ferguson says she has a split personality. Jo Ann Ferguson is the author of best-selling historicals and Regency mysteries. J.A. Ferguson writes paranormals. Jocelyn Kelley writes historical romances for Signet. Jo Ann Brown novelized Thomas Kinkade’s Home for Christmas, which stars Peter O’Toole. Her 80+ titles have been translated into a dozen languages. They’re sold on every continent except Antarctica. Jo Ann has taught creative writing for 18 years.





DANIEL TOBIN - POETRY WORKSHOP

MONDAY, AUGUST 18 - FRIDAY, AUGUST 22

12:45 - 2:45


Daniel Tobin

COURSE DETAILS:
One of the attributes of good poetry is energy, a quality of language and expression that can take possession of a reader's attention and hold it for the length of the work. One way of accomplishing this is through intensity, a quality of concentration that can inform a poem's composition in a variety of ways. In the course of discussing workshop participant poems with the usual critical attention, we will keep ourselves attuned to three kinds of intensity: rhythmic (including matters of prosody), formal, and narrative. At the same time we will make ourselves available to the rhetorical strategies poems use to achieve their effects. During the week the class we will examine strategies for making poems more intense. We will also look at exemplary poems from a variety of poets. Members of the workshop should come prepared with five poems they want to workshop, and with fifteen copies of those same poems for distribution and discussion. Handouts will be provided.


BIO:
Daniel Tobin is the author of four books of poems, Where the World is Made, Double Life, The Narrows, and Second Things, as well as the critical study Passage to the Center: Imagination and the Sacred in the Poetry of Seamus Heaney. Tobin has also edited The Book of Irish American Poetry from the Eighteenth Century to the Present, Light in the Hand: The Selected Poems Lola Ridge, and (with Pimone Triplett) Poet’s Work, Poet’s Play: Essays on the Practice and the Art. He is Chair of the Writing, Literature, and Publishing Department at Emerson College in Boston.








WHEN
TABERNACLE
MANOR
LODGE SUNROOM
2:30-5:30
Monday

Demystifying
The Small Literary
Press

Mark Pawlak, Hanging Loose Press; Doug Holder, Ibbetson Street Press; Gloria Mindock, Cervena Barva Press

Column Writing

Lawrence Brown

2:30-5:30
Tuesday

Savvy Book Publicity
Lissa Warren

2:30-5:30
Thursday
Books To Film
Sue Berger Ramin and Deborah Kovacs

(This one-day workshop is mistakenly placed on another day in the conference brochure schedule)

Writers Reading Their
Work in Public

Charles Coe



WHEN
SEASIDE (BUILDING AT CRAIGVILLE)


10:00 - 4:00

Friday

Page to Stage; Poetry Rocks! Catch the Wave!

A Performance Poetry Workshop for Older Teens, 15 and Up
(NOT PART OF THE YOUNG WRITERS WORKSHOP)

Harris Gardner and Lainie Senechal

 




LAWRENCE BROWN - COLUMN WRITING

Monday, August 18, 2:30 - 5:30, Manor


        

 


COURSE DETAILS:

Writing op-ed columns is a particular kind or art.  It balances the need for brevity and focus with sufficient humor and style to make the product worth reading week after week.  Lawrence will tailor the afternoon to the interests of those who've enrolled, but the general program will look back over 22 years of what was going on in America during the span of his writing... concerns about giving offense - and when to go ahead anyway... the difference between being consistent and being repetitive, being angry and being shrill... the extent to which autobiographical stuff is OK... your growing community role... when and how to use your column to support causes of interest... and the technical stuff: how to pack everything into 700 words.

BIO:
Lawrence Brown, a columnist for his regional newspapers, has published almost 400 editorials on topics of economics, faith, and politics. Dissatisfied with geography textbooks, Brown wrote his own, parts of which Addison-Wesley published under the title Thinking About the World. He has also published Bodhi Beautiful: how to be a Hindu in America, an explanation of Hinduism in Western terms, articles on yachting, and three popular books on sailing, including Sailing America and Frugal Yachting.    






DEMYSTIFYING THE SMALL LITERARY PRESS: A PANEL DISCUSSION WITH AUDIENCE INTERACTION

ALL ABOUT THE SMALL PRESS-- FROM ITS HISTORY TO SUBMISSIONS, THROUGH DISTRIBUTION OF BOOKS, TO GETTING REVIEWED    Monday, August 18, 2:30 - 5:30, Tabernacle


Mark Pawlak
PANEL ROLE:
MARK PAWLAK will give us an historical overview, from the perspective of an established but “small literary press,” as well as a nuts and bolts view of operating or working with small presses. How did Hanging Loose grow over 40 years, and how does working with a press with an international readership compare with grassroots presses, like Ibbetson and Cervena Barva?

BIO:
Mark Pawlak is co-editor/publisher of Brooklyn-based Hanging Loose Press. Founded in 1966, it is one of the country’s oldest independent literary publishers, noted for discovering award-winning writers such as Sherman Alexie, Kimiko Hahn, and D. Nurkse. Pawlak has edited numerous anthologies, including Shooting the Rat, the third in a series drawn from the legendary high school section of HL magazine. Pawlak is the author of five collections of original poetry, most recently Official Versions.


Doug Holder
PANEL ROLE :
Doug Holder will demystify the 'small press' on the grassroots level: how to go about starting your magazine, getting local coverage, networking in the community, readings, use of the internet, writers' groups etc, cooperative publishing, getting the IBSN, print -on-demand. Pros and cons of starting a magazine or press, how it can help or hinder your own career.

BIO:
Doug Holder, founder of Ibbetson Street Press, has published the work of over 50 national and international poets, and over 20 issues of the journal Ibbetson Street. Ibbetson books and the magazine have been featured on NPR, Verse Daily, The Boston Globe, and many other venues. Holder's own poetry and prose have been published widely. He lectured in Israel as a guest of the "Voices Israel" Literary organization in 2007.















Gloria Mindock
PANEL ROLE :
Gloria Mindock will address what editors are looking for and what writers might expect from their small press publishers, what is expected of each—from manuscript submission through book reviews; book covers and packaging; resources for sending out to magazines or manuscripts to publishers; cover letters and query letters, networking, finding an audience for your work.

BIO:
Gloria Mindock is editor/publisher of Cervena Barva Press and editor of the Istanbul Literary Review. From 1984-1994, she edited the Boston Literary Review/BLuR. She has been published in numerous journals in the USA and abroad. Gloria is the author of two poetry collections, Blood Soaked Dresses (Ibbetson) and Nothing Divine Here (U Soku Stampa). Cervena Barva Press and BLuR has published many award-winning poets and fiction writers.

All will consider the labor of love and burnout factors, the thrill of finding new voices, and the satisfaction of forming community that is part of the life of the small press publisher with whom you as writer may be working.





LISSA WARREN - SAVVY BOOK PUBLICITY

Tuesday, August 19, 2:30 - 5:30, Tabernacle


Lissa Warren

COURSE DETAILS:

This course to familiarize authors and soon-to-be authors with trade book promotion starts with an overview of book publicity—why it’s important to a book’s success, and the different media opportunities that exist. It then walks you through the publicity process—from author questionnaire, to galley and finished book mailing, to pub-date, reviews, interviews, and tour. It also covers the type of freelance help available, crafting the press material, how to secure and promote bookstore events, the art of the pitch, and the art of the interview. Above all, it’s a chance to determine the level of involvement you want to have in your book’s publicity campaign, what strengths you bring to the table, and how best to get maximum exposure for your book.

BIO:
Lissa Warren has worked at several Boston publishing houses including David R. Godine, Houghton Mifflin, and Perseus Publishing, and is currently Vice President, Senior Director of Publicity and Acquiring Editor at Da Capo Press, a member of the Perseus Books Group. The author of The Savvy Author's Guide to Book Publicity (Carroll & Graf, 2004), she has spoken about publishing for the Virginia Festival of the Book, Lesley University, Publishers Marketing Association, the American Society of Journalists and Authors, Publishers Association of the South, BookBuilders of Boston, ForeWord magazine, Grub Street, the New Hampshire Writers’ Project, and the Adirondack Writer’s Conference, among others. Since 2003 she has been an Adjunct Professor at Emerson College—in their Writing, Literature, and Publishing program—and she teaches in Boston University's publishing certificate program. She’s also on the advisory council of the M.F.A. writing program at Southern New Hampshire University.





CHARLES COE - WRITERS READING THEIR WORK IN PUBLIC

Thursday, August 21, 2:30 - 5:30, Manor

(PLEASE NOTE: This workshop is mistakenly placed on another day in the conference brochure, but this is the correct day and time.)


Charles Coe
COURSE DETAILS:
The days when a writer could launch a career in print without ever leaving the safety and comfort of the home are long gone. Nowadays, it's essential that writers not only produce quality work, but that they can read their work in public with confidence, skill, and in a way that engages audiences. Poet, writer, and singer Charles Coe - in both group and individual coaching sessions-can help writers and poets in all genres develop tools and strategies for becoming more effective public speakers. Charles will help you identify and eliminate vocal "tics" and other distracting mannerisms, develop speaking techniques that help put you (and your audience) at ease, and learn to use a microphone like a pro.


BIO:
Poet and writer Charles Coe coordinates grant programs for literature and music organizations at the Massachusetts Cultural Council. He is author of "Picnic on the Moon" (a volume of poetry) and writes for numerous publications such as Harvard Magazine and the Boston Phoenix. He is also a sought-after public speaker--reading his own work, moderating panels on writing, or serving as a keynote speaker at community and cultural events.





DEBBIE KOVACS - BOOKS TO FILM (taught with Sue Berger Ramin)

Thursday, August 21, 2:30 - 5:30, Tabernacle



Debbie Kovacs

COURSE DETAILS:
Sue Berger Ramin and Debbie Kovacs will address how books get sold to Hollywood, what the producers are looking for, and other reality-based aspects (from behind the scenes) of the selection and conversion of books into films.

BIO:
Deborah Kovacs, Senior Vice President of Publishing, Walden Media
Since joining Walden Media in 2001, Deborah Kovacs has overseen publishing activities for Walden Media, a film studio specializing in the adaptation of children's classics such as Prince Caspian, The Lion, The Witch and the Wardrobe, Holes and Bridge to Terabithia. She established and is editorial lead in Walden Media's publishing joint venture with Penguin Young Readers' Group, which has resulted in the acquisition and publication of more than twenty original published works, including The White Giraffe and Savvy, both of which are being adapted for the big screen by Walden Media.





SUE BERGER RAMIN - BOOKS TO FILM (taught with Debbie Kovacs)

Thursday, August 21, 2:30 - 5:30, Tabernacle


COURSE DETAILS:
Sue Berger Ramin and Debbie Kovacs will address how books get sold to Hollywood, what the producers are looking for, and other reality-based aspects (from behind the scenes) of the selection and conversion of books into films.

BIO:
Sue Berger Ramin works for David R. Godine, Publisher in an editorial, marketing and rights capacity. She acquires both adult and children's, fiction and non-fiction books, oversees their marketing and publicity and sells subsidiary rights. She was VP Film & TV Publishing for Penguin Books for 11 years, opening an office for Penguin in Los Angeles in 1993. Sue has served as co-producer for two movies: The Gathering Storm (HBO, BBC, 2003), an award-winning movie starring Albert Finney and Vanessa Redgrave, and The Missing, based on the novel, The Last Ride, by Thomas Eidson (Sony Pictures, 2003), starring Cate Blanchett and Tommy Lee Jones. She wrote a column on film and TV rights for Publishers Weekly, scouted for a Japanese literary agency, sold rights in video games, and has taught publishing in Emerson's Professional Studies' Program.




HARRIS GARDNER AND LAINIE SENECHAL

PAGE TO STAGE; POETRY ROCKS! CATCH THE WAVE!


PERFORMANCE POETRY WORKSHOP FOR OLDER TEENS, 15 UP (NOT PART OF THE YOUNG WRITERS WORKSHOP), SEASIDE (BUILDING AT CRAIGVILLE), $80

Friday, August 22, 10 AM – 4 PM


Harris Garnder


Laine Senechal

COURSE DETAILS:

There will be a group project/ensemble performance near the beginning of the day for participants to develop a sense of the supportive approach to the workshop, working toward a common goal as well as individual progress. The highlight of the program will be to concentrate on individual performance, using the students' best poems sent in advance.  Depending on the strength and quality of their poetry, we will work on some refinement/ revision before they polish their performance skills. It is important for the enrollees to work with their own poetry  to  develop individual performances. Their comfort level will be maximized using their own original work. 

BIOS:

Harris Gardner and Lainie Senechal have been featured poets at one hundred-plus venues including Art Galleries, churches, cafes, bookstores, libraries, universities, museums, and festivals, have six books published  between them and over 125 journal publication credits combined. Gardner had extensive University theatrical training during his undergraduate years at Northeastern University, and worked with  preteens and teens in theater, where he directed The Fantastics as well as original scripts. Gardner was also Poet-in-Residence at Endicott College (Beverly, MA) 2002 through 2005 where he  led student writing workshops  and coordinated a Visiting Poets Series. He also studied with the "Grandfather of Slam Poetry" in New England, Michael Brown. Senechal is a poet, painter, and award-winning public school teacher of 30 years.  She has published over 75 poems, has co-authored two volumes of poetry, appears in four anthologies, and in 2008 her chapbook Vocabulary of Awakening will be released by Pudding House.






 

Daily Box Lunch Briefings are casual gatherings, complimentary for CONFERENCE REGISTRANTS. (LUNCH NOT INCLUDED)

BYOB (Bring Your Own Box, or buy one at Craigville Inn and bring it) to the Tabernacle,
11:50 - 12:35 any day, Monday through Friday, for these 45-minute discussions on writing and publishing. Suzette Standring and Jo Ann Ferguson's plans for their briefings are below. On Monday Charles Coe will speak on the social and political role of the poet in the community. On the other days, an illustrator/author team and a guest author will visit with conference registrants over box lunch.

JO ANN FERGUSON - The ABCs of Marketing Your Manuscript; Thursday, 11:50 - 12:35


Jo Ann Ferguson

 

 


Every aspiring author has lots of questions about figuring out where to send a manuscript: how to approach editors/agents; how to know which is the best editor/agent for you; basic etiquette of contacting or speaking with editors/agents/publishing professionals. Every aspiring author has lots of worries about making a big boo-boo that will leave foot in mouth and manuscript unsold. Bring your questions to this Q&A, and let’s talk about how to sell your manuscript and at the same time build a good relationship with your editor and your agent.

BIO:
Read Jo Ann's bio above under Writing the Romance, a five-day workshop.

 

CHARLES COE - The Role of the Poet in Society; Monday, 11:50 - 12:35

Poet and Massachusetts Cultural Council Program Coordinator for Literature Programs, Charles Coe will converse with conference registrants over box lunch on The Role of the Poet in Society, looking at poets, politics and social responsibility with some history of the poets’ voices in politics

BIO:

Read Charles Coe's biography above under Short Courses: Writers Reading Their Work In Public

 

SUZETTE MARTINEZ STANDRING -- Column Writing; Tuesday, 11:50 - 12:35

Bloggers and budding journalists: You can parlay a memory, an opinion, or a special expertise into a published column.  Doing condensed writing well translates to all genres of writing.  Solid column writing skills can boost a blog, grow a faithful readership and catch the eye of an editor looking for wide demographic appeal. Turn your passion into a specialty column and learn what it takes to get syndicated.

BIO:
Suzette Martinez Standring is the author of The Art of Column Writing: Insider Secrets from Art Buchwald, Dave Barry, Arianna Huffington, Pete Hamill and Other Great Columnists.  Suzette's Patriot Ledger columns are syndicated with GateHouse News Service. Her humor and lifestyle columns have appeared in The Boston Globe and South Shore publications. She is the past president of the National Society of Newspaper Columnists and her website is www.readsuzette.com





WALLACE EXMAN, EDITOR-IN-RESIDENCE

   

Wallace Exman

 

In a book publishing career of more than thirty-five years, Wallace Exman has edited the works of fiction and nonfiction writers for both hardcover and mass market paperback houses. He began his editing career at William Morrow, and held senior editorial positions at Holt, Rinehart & Winston, Stein and Day, Harlequin Books, and Kensington Books.  He has edited the works of Jack Anderson, Nathaniel Philbrick, and Dr. Sam Shephard, such sports notables as Jim Brown, Duke Snider, and international angling expert A. J. McClane, the thrillers of Jack Higgins, and the mysteries of John Creasey. He was for many years the book editor for Charles M. Schultz. After moving to the Cape he was editor and part owner of Paranassus Imprints. 

 



ADAM CHROMY, AGENT-IN-RESIDENCE




Adam Chromy





Jamie Brenner




After establishing successful businesses, studying film to fulfill his creative bent, and working for a literary agency, entrepreneur Adam Chromy went out on his own to represent a novel written by a friend and sold it on a preemptive offer. Since that auspicious start in 2002, Adam's fresh, rule-breaking approach has led to dozens of book deals at major publishing houses; and a number of film deals for his clients’ projects. His NYC firm is Artists and Artisans, Inc., a full service literary management company representing writers of adult trade fiction and nonfiction. Two novels he helped to bring out this year, as novels become more difficult to sell are: World Made By Hand by James Howard Kunstler, just published by Grove/Atlantic, and is a Book Sense best seller; and Burial of the Dead, a literary mystery by Michael Hogan, coming out in August by Minotaur/Thomas Dunne Books.


Another member of the firm, Jamie Brenner has spent the past decade in book publishing. Her experience includes literary publicity (HarperCollins Publishers), book selling (BarnesandNoble.com), and manuscript analysis and book scouting for major film companies (Miramax Films, Davis Entertainment). She is also the editor of the blog www.girlmeetsbook.com. Jamie is actively seeking thrillers, commercial and women’s fiction, literary fiction, memoir, narrative nonfiction and books about pop culture/entertainment. She is happy to read first-time writers.

They will both be with us Sunday through Thursday morning of the conference.

 


 



Manuscript Evaluations and Mentoring Sessions

 

FOR CONFERENCE REGISTRANTS ONLY/Must have a registration badge: individual manuscript consultations and mentoring sessions.            

MANUSCRIPT EVALUATIONS ($125 for ½ hour)

Spend quality time one-on-one with the agent-in-residence, editor-in-residence, or member of the conference faculty of your choice, as available, discussing your manuscript. Send DUPLICATE manuscripts -- the first 20 pages of the first chapter of a book, or six pages of poetry -- by July 15 to CAPE COD WRITERS' CENTER, Box 408, Osterville, MA 02655 to be passed on to your reader.

 

MENTORING ($150 for three ½ hour sessions)

Mentoring is a three-part process. Meet with the mentor three times, 30-minutes each time, WITH MEETINGS SPACED OUT over the week to discuss the state of one’s writing, and how one is progressing through conference participation. ($150 for three ½ hour sessions) DO NOT SEND MANUSCRIPTS. THERE ARE NO MANUSCRIPTS REQUIRED. THESE ARE CONVERSATIONS WITH KNOWLEDGEABLE PROFESSIONALS IN YOUR GENRE.

 

Craigville Conference Center in Centerville on Cape Cod

39 Prospect Avenue, Craigville, MA  02632

 

Craigville Conference Center is located on a bluff overlooking Tabernacle at CraigvilleNantucket Sound and Craigville Beach.  Its ten buildings are interspersed with private cottages in an historic village setting.  The Center can accommodate between 100 and 165 people depending on the season.  The facility is owned by the Christian Camp Meeting Association and operated by the Massachusetts Conference.  The Center offers meeting rooms, meals, lodging and access to the private beach.  For overnight rates and information contact The Craigville Conference Center at craigvillecc@capecod.com or

(508) 775-1265.

Driving Directions: Take Route 6 east to Exit 5. At end of ramp, go straight across Route 149. Take the first right onto Old Stage Road.  Follow to the stop sign and take a left, youwill still be on Old Stage Road.  Proceed to the light and go straight, then straight at the next stop sign and straight through the next light.  You are now on Craigville Beach Road and you will see the beach on the right.  Once you pass the long gray beach complex, the road will start to curve to the left, and you will see the green and white Craigville Conference Center sign on the left.  Take this left onto Lake Elizabeth Drive and you can follow our signs from there to get to the Manor and the Lodge.  Follow Lake Elizabeth on your right side until you come to the sign for the Tabernacle.  Take that left and follow – the Inn will be on the right and the Tabernacle will be in front of you.

 

CCWC, 508-420-0200, writers@capecodwriterscenter.org  www.capecodwriterscenter.org